Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

Saturday, May 28, 2011

A night of haunting dreams at the Vogue Theatre with Lykke Li

Lykke Li
Grimes started the show with her solo act, a beautiful mess of raw synthesizers over crushing drum tracks. She has only been making music for a few short years, and has no training in musical theory or even reading music, so the way she expresses herself in her music sounds unnatural, and yet she's quite a natural at it. She began her set with “Crystal Ball”, feeling out the crowd; her nervousness showing with a few missteps in the timing of the tracks she was mixing together. By the time she got through the second and third songs, she had pulled it all together and the crowd was on her wavelength, dancing to her dark electro beats and basking in the glow of her ethereal vocals. It was like a gothic dance version of Enya. No, I'm kidding; I kept thinking that and then giggling because technically it's an accurate description, but it sounds fucking ridiculous. Grimes killed it. I didn't think many people knew her, but she is a born-and-raised Vancouver girl, and damn, did Vancouver show her love tonight! I don't know if it's the venue or if it's the bands they host, but the opening acts seem to get a lot more love at the Vogue than they do at other venues.

Grimes - Vanessa (YSI)

The lights went dark, and the sound of drums began to pound over ghastly drones, like a new age circus horror show. Flickering bursts from the strobe lights began to illuminate a dozen narrow curtains dangling from the ceiling, which were billowing wildly like trees in a pitch-black thunderstorm. A thick stream of endless smoke rolled over the stage and through the crowd, when suddenly everything screeched to a halt. The lights came on and Lykke Li was already into the first verse of “Jerome”, a creepy-sounding but warm and tingly track off her new album, an unexpected but perfect complement to the startling introduction.

The band all wore black suits, with Lykke wearing a black bodysuit and a long black coat. They powered through what seemed like hit after epic hit, though some were songs off the new album that not many people knew yet. A few songs in, they did a beautiful cover that I recognised instantly. I noticed I was singing along with every word, but it took a second before it hit me; it was “Velvet”, a stunningly gorgeous song by UK dream pop band The Big Pink, whom I actually saw here in Vancouver last year.

There were so many highlights in Lykke Li's set, and most of them, surprisingly, weren't even the popular tunes off her first album. “We will live longer than I will. We will be better than I was. We can cross rivers with our will. We can do better than I can. So dance while you can.” That is the soothing and sublime chorus of “Love Out of Lust”, which the band turned into one hell of an epic ballad. A few songs before that, Lykke finally got her hands on an instrument, when the lights came on to reveal an autoharp on a platform in front of her, which she used to accentuate the usually unplugged acoustic song, “I Know Places”. It's really simple: just push the button for the chord you want and then sweep a finger across the strings, but it gave the song such a radiant sound!

Nearing the end of the set, Lykke took a short break while the band played an instrumental excerpt from The Knife's “Silent Shout”, another one I instantly recognised, but embarassingly didn't figure out til later. It felt quite out of place, and sounded nothing like the rest of her set, but I really can't complain when it's such an awesome song. They changed it up a bit, making it grow more chaotic than the original. Finally, they closed with Lykke introducing “Get Some” as a party song to dance to, as if we weren't already an hour into our dance party with her! The song definitely has a funkier drum beat than the rest of her catalogue. And that was the last piece of Lykke Li's perfect setlist formula: end it with a fucking BANG!

Oh yes, there was definitely an encore, but I think I've already been quite thorough, so we'll leave that as a surprise, in case you get a chance to see Lykke Li soon. She has a half dozen more US gigs left before doing what all respectable European musicians do in summer: hit up all the massive Euro festivals that we're all so jealous of here in North America!

Lykke Li - I Follow Rivers (YSI)
Lykke Li - Get Some (YSI)

Lykke Li is promoting her sophomore album Wounded Rhymes. Grimes is promoting her 2010 debut Halfaxa and her new split LP Darkbloom, with d'Eon.

Thursday, May 26, 2011

A Night of Noise with Sleigh Bells and Neon Indian


Sleigh Bells
Vancouver's Vogue Theatre last night was host to a night of noise. The double-bill of Sleigh Bells and Neon Indian, along with opening act Oberhofer, all had a noisy lo-fi sound, whether it was filtered guitars or pounding electro drum beats. Each band came from a different branch on the tree of noise, and all three are fairly new, each with no more than one LP under their belts.

Oberhofer kicked things off with a summer vibe, their set decorated with tropical plants and the four-piece band rocking shiny shelltoes. These guys had a massive stage presence, right from song one, kicking things off with “o0O0o0O0o”, a song whose title might be the best way to describe the band. Their style is all over the place, but they began with some catchy rock tunes and a high-energy, lo-fidelity pop sound. It only took me a few songs to realise that Oberhofer has this unusual habit of ignoring the urge to play a catchy chorus, instead using pop music's catchiest vocal sound ever discovered, the sound of “ooo-ooo-ooo”, into every song.

By mid-set, however, they had swung over to an instrument-focused noisepop vibe, with the energy of a punk band. A song finished, and there was silence, when suddenly a piercing shriek exploded through the theatre, giving everyone a start, and so began the chaotic intro to “Haus”. It was like they were saying, “Wake the fuck up and listen to us!” except everyone already was. The song eventually became cohesive and even catchy whenever they got to the chorus of “I wanna build a house with you, a house with you”, but then the sounds would break apart into a chaotic cacophony of smashing drums and shimmering riffs, only to reform for the next chorus. Oberhofer is fantastically unpredictable and has a hell of a stage presence, for such a new up-and-coming band.

Oberhofer - I Could Go (YSI)

Neon Indian was up next, and their set definitely gave me mixed feelings. I think they were sort of co-headlining with Sleigh Bells, but it made sense to have the weird, eclectic band play before the band with the big stage show and more danceable tunes. They're quite an experimental band, which I love, delving into the new genre of chillwave with a four-piece band playing synths, drums, bass guitar, and frontman Alan Palomo on vocals and keys. As is natural with chillwave, due to it's similarity to shoegaze, everything was covered in a layer of noise, and the vocals took backseat to the instruments. However, on record the band still makes some damn catchy singalong tunes, but on stage, everything was just buried in too much noise. I knew a bunch of their songs already, but I couldn't recognise a single tune they played, with the exception of “Deadbeat Summer”, their biggest hit, and that was only because they introduced it and tried in vain to get the crowd to sing along.

I love experimental music, but if your songs have a fairly “pop” vibe, you shouldn't be turning your live set into a new experiment. Best case, you'll alienate all but your biggest fans. The music I heard from Neon Indian last night was good, and it was interesting, but it sure wasn't the same band that's in my headphones, and that was disappointing.

Neon Indian - Deadbeat Summer (YSI)

Sleigh Bells was a shocker. They hit the stage hard and fast, with a massive wall of Marshall stacks and pillars of lights behind them. Sleigh Bells is a Brooklyn duo, a boy guitar/girl vocals band, backed by earth-shattering drum tracks. Not unlike a certain two-piece rock band I also reviewed recently. What I really didn't expect was the hardcore, as they opened their set in darkness, to the screams of the sweaty crowd and the screams of Black Sabbath's “Iron Man”, which transitioned into their own “Crown on the Ground” as the lights came on. Sure, let's rile up the crowd into a riotous horde in the first fucking song, right? Actually, I fucking love when bands do that. Alexis and Derek came onstage, Alexis rocking a red Sleigh Bells/Slay Bells jersey. Like the bands before them, Sleigh Bells is definitely an experiment. On record, I had only gotten a small taste of what they can do. On stage, they rocked militant electro drum beats, with a variety of raucous synths and wailing guitar riffs.

Alexis was like a trashy grrrl version of Alison Mosshart; fresher and more down and dirty. They played all their best songs, with Derek leaving Alexis alone onstage for the few songs that didn't feature him on electric guitar. Their setup with Derek on guitar, Alexis on vocals, and a backing drum track reminded me of The Kills, who have the exact same setup, but their aggressive vocal tendencies and raging electro beats actually reminded me of when I saw Atari Teenage Riot live. Sleight Bells was like a bizarre combination of the best parts of The Kills and Atari Teenage Riot, with explosive results. Sleigh Bells definitely slayed.

Sleigh Bells - Crown on the Ground (YSI)

Sleigh Bells, Neon Indian and Oberhofer all have more US tour dates in the next few weeks, together and apart. Don't miss them!

Saturday, July 18, 2009

The Angel Brothers - Ghosts


The Angel Brothers describe their new album as ‘a soundtrack to a film of your imagination’. That barely begins to describe their post-folk sound. “Ghosts”, an epic track off their new self-titled album, takes a journey through time and space to discover the indigenous music of a peaceful world where it is always night and the moon is always glowing. Not that there are any lyrics depicting such a backdrop, but it is the image that appears when I close my eyes and listen to “Ghosts”.

The eponymously titled Angel Brothers is out now on Navigator Records.

The Angel Brothers - Ghosts
Download MP3 (zshare) (YSI) or listen below



TOUR
The Angel Brothers will begin their England tour in September.

BUY THE ALBUM
Navigator Store | Amazon

Saturday, June 6, 2009

The Mummers - Wonderland


The Mummers are an orchestral pop band from Brighton who sound like the beautiful music of a classic animated film soundtrack. They're offering their fantastic song “Wonderland” as a free download in a persuasive ploy to sell their new album Tale to Tell to you.

The Mummers - Wonderland
Download MP3 (YSI) or Listen on MySpace

FREE MP3
The song is also available free from SoundCloud, a site that artists use to upload their own music to share.



BUY THE ALBUM
eMusic | 7digital | iTunes | Norman Records | Recordstore | Boomkat | Rough Trade

Tuesday, April 7, 2009

Crystal Castles - Alice Practice


The term new rave sounds like a corruption of rave and new wave, but really all it takes from the former is flourescent clothing, neon lights and glow sticks—and from the latter, the genre fusions and the trashy, anarchic aesthetic. Crystal Castles, one of Toronto's top exports, interprets new rave as scratchy, distorted Gameboy sounds, writhing female screams and bodies dancing to a path beaten by drums. Close your eyes, experience the flashing lights and feel the urge to reach for a tablet.

SOUNDS LIKE Peaches, Digitalism, Hot Chip, The Prodigy

Crystal Castles - Alice Practice Download MP3 or Listen on MySpace


Crystal Castles performing “Alice Practice” on TV show Skins. Also on YouTube.

BUY THE ALBUM
iTunes If this shows up as a Partial Album, try one of the MP3 stores below.
Juno Download MP3, worldwide
Beatport MP3, worldwide
Amazon MP3 US only
Amazon MP3 UK only
7digital MP3, UK only
Recordstore CD/vinyl, worldwide
Norman Records CD/vinyl, worldwide
Insound CD, worldwide
CD Universe CD/vinyl, worldwide
Amazon CD/vinyl, worldwide
Amazon UK CD/vinyl, worldwide

Saturday, March 28, 2009

Fol Chen - Cable TV


Fol Chen, the anonymous silhouettes pictured above, are outside of any distinct genre, so I'll call them comfortable couch-hop. Their debut single “Cable TV” is a heavy tune with light lyrics that feels like an evening at the cocktail bar on a beach in Cuba.

IF YOU LIKE: Hot Chip, The Knife, Len, Bran Van 3000

Fol Chen - Cable TV Download MP3 or Listen on MySpace



BUY THE ALBUM
iTunes Worldwide
Amazon MP3 US only
Norman Records CD/vinyl, worldwide
Insound CD/vinyl, worldwide
CD Universe CD, worldwide
Amazon CD/vinyl, worldwide
Amazon UK CD/vinyl, worldwide

FREE MP3s
Asthmatic Kitty 2 songs
RCRDLBL 4 songs including “Cable TV”

Wednesday, March 11, 2009

SXSW: Alaska in Winter


South by Southwest's 2009 music festival begins next week Wednesday, and although I (unfortunately) won't be there, I know many of you will be. It's a daunting task to sift through 1,986 artists performing at 88 venues in Austin and decide which ones you can make time for. I'm going to make your planning more troublesome by recommending one SXSW artist each day from now til Saturday, the last night of the festival.

If you're not going to SXSW, it's still business as usual here—one excellent song every day.

Brandon Bethancourt spent an icy winter in Alaska recording music on a laptop in a cabin in the middle of nowhere. After he gathered the help of his friends from Beirut and A Hawk and a Hacksaw, the project came to be known as Alaska in Winter, recently releasing its sophomore Holiday. The opening track “We Are Blind and Riding the Merry-Go-Round” starts with a ukelele but quickly becomes an experiment of dark sweeping synths harmonized with beautifully dismal vocals.

If you like: Beautiful music with a bassline that your chest can hear.

Alaska in Winter - We Are Blind and Riding the Merry-Go-Round Download MP3 or Listen on IMEEM



SXSW:
Alaska in Winter performs Wednesday and Saturday evening.

Buy it:
iTunes North America
iTunes Rest of the world
7digital MP3, UK only
Amazon MP3 US only
Amazon MP3 UK only

Insound CD, international
Norman Records CD, international
CD Universe CD, international
Amazon CD, international
Amazon UK CD, international

Monday, February 16, 2009

John Frusciante - Dark/Light


Clocking in at over eight minutes, “Dark/Light” from John Frusciante's new album The Empyrean is an experiment of epic proportions. Describing it would also be an epic spoiler.

If you like: Josh Groban, Alaska in Winter

John Frusciante - Dark/Light Download MP3



Buy it:
Record Collection CD/vinyl, worldwide
Insound CD/vinyl, worldwide