Showing posts with label ambient. Show all posts
Showing posts with label ambient. Show all posts

Thursday, June 9, 2011

80s Goth icons take over Vancouver!

Brendan Perry of Dead Can Dance

Robin Guthrie of Cocteau Twins had just taken the stage when I arrived at the Venue nightclub for an ethereal night with some 80s icons. I have to be honest here. Robin's solo work is good, and I enjoy ambient music when I'm in the right mood, even when it lacks vocals, but it was utterly lifeless to see on a stage. There was nothing interesting about watching three old men standing motionless on a stage, playing downtempo, ambient new age music for a crowd of misfits from the 80s; ex-goth kids reminiscing and fooling themselves into cheering for their idol, but not his music. Every song would finish the same as the last, to the crowd's drunken shouts and overzealous applause. But then, for one brief moment, things turned around with a song that picked up the pace. Crashing drums and chaotic noises brought Robin's set to an unexpected climax, finally coaxing a roar of genuine cheers and applause from the audience. By this time, I had found a seat at the back of the venue, so at least I could kick back and relax for the last few songs.

Robin Guthrie - Warmed by the Winter Sun

Brendan Perry of Dead Can Dance took the headlining spot, and the polar opposite direction from Robin's set. The five-piece band had an instant energy, playing synthy rock ballads with Perry's powerful voice at the helm. The guy looks like a tough biker, bald and in his 50s with a goatee, so when they opened with the still-unreleased track “Tree of Life”, I was a little shocked by the raw power of his voice, even in falsetto! If you don't know his voice, think Nick Cave or Leonard Cohen but with a gothic rock band playing world beats. It's been over a decade since the last albums by Brendan Perry and Dead Can Dance, so he spent the first half of the set playing a mix of songs from Dead Can Dance's library and several of his own unreleased songs that I assume he wrote in the years between his 1999 solo album and his new album, Ark. Remarkably, when I look at my notes that I marked for each song, it's the unreleased songs that really stood out in the first half, with the exception of Dead Can Dance's “A Passage in Time”, in which is a nice ballad on record, but lacks lustre when compared to Perry's powerful live rendition.

The second half of the set began with a new song, “Icarus”, followed by a fantastic cover, where Robin Guthrie joined the band, taking lead guitar for Tim Buckley's “Song to the Siren”. Finally, the band got on to playing some of the best tracks off the new album Ark, with “This Boy” and “Wintersun”, and closing with “Utopia”. The band left the stage to the most genuine cheers of the night thus far, returning for the inevitable encore of two more Dead Can Dance tracks.

Brendan Perry - Babylon

The tour is finished now, but check out Robin Guthrie's new album Emeralds and Brendan Perry's new album Ark, both out now!

Thursday, October 14, 2010

One eskimO at Venue (Vancouver)


The stage is looking lonely. A set of motorcycle headlights are mounted on the bass drum, its beam piercing the fog. An assortment of cymbals are mounted on a rack behind the drum kits, like a memoir to drummers long forgotten.

Meet One eskimO. In early 2009, we discovered their now hit song “Kandi”, making me an instant fan. My love for them grew exponentially as I fell for song after song while they released various demo and previews of their (finally!) debut album, One eskimO.

I suppose they fall under the genre of shoegaze, which shows in the beauty and emotion of their songs, but it's at the mellow extreme of the genre. The archetypal electric guitar is changed for the wondrous sound of a shimmering acoustic. That, together with the unusual drum kit and Kristian Leontiou's stunning voice makes One eskimO exceptional.

They started with a triple punch of three favourites: “Hometime”—one of their first success, “Astronauts”—newer song and “Givin' Up”—popularised among clubgoers by Don Diablo. The crowd was small, especially with Broken Social Scene playing across the street, and the set was intimate. A few danced, while most of the audience just stared in awe, singing along with a surprising number of songs. Throughout the set, one guy kept yelling “Amazing!!!”, which got a bit annoying; I could see “Amazing” on the set list—last song. Nearing the end of their set, they played “Kandi”, extending the song so we could all sing it longer with them. They finished with “Amazing”, which honoured its title, then left the stage, only to return for the obligatory two-song encore. The encore was great, except for Miss Inappropriate Clapping and Screaming, who showed up for the encore to interrupt every 15 seconds. Lucky she didn't find her way to the front any sooner.

One eskimO's self-titled debut is out now on Shangri-La. They still have 20 more North American tour dates in the next several weeks. DO NOT MISS. Here are some MP3s and music vids, if you aren't already convinced.





One eskimO - Hometime (YSI)
BONUS: One eskimO - Givin' Up (Don Diablo Remix) (YSI)

Monday, February 23, 2009

Calm - Crossroads


Calm is a Japanese artist described as ambient electronica, but his latest album is more of a mismatched collection of individual songs, spanning many genres, that complement but do not correlate. Each song contains varying degrees of ambient grooves that are unconsensually forced to couple with normal instruments like acoustic guitar and piano. It's perplexing to hear, but somehow the result is fantastic.

This is the acoustic folk song, fronted by proper vocals and backed by a great piano riff.

Calm - Crossroads Download MP3

Listen to extended samples of each song on Calm's website.

Buy it:
Amazon Japan Ships worldwide
Jet Set Out of stock at the moment